Odumodublvck Explains Collaborating With Davido and Wizkid Despite Reported Rift

The Nigerian music scene has witnessed another remarkable moment as Tochukwu Ojogwu, widely known as Odumodublvck, brings together two of Afrobeats’ most celebrated—yet often feuding—stars, Davido and Wizkid, on his latest album, Industry Machine. This decision has sparked widespread conversation in Nigerian and West African entertainment circles, as fans and pundits alike reflect on its significance and what it means for the industry, which thrives on both collaboration and competition.

For over a decade, the rivalry between Davido (David Adeleke) and Wizkid (Ayodeji Balogun) has been a staple of Nigerian pop culture. Both artists command massive followings—the self-styled “30BG” (30 Billion Gang) for Davido and “Wizkid FC” for Wizkid—with their supporters routinely engaging in social media debates and, at times, heated online exchanges. According to Premium Times, this tension, which reportedly began in 2014, has ebbed and flowed over the years, culminating in public back-and-forths as recently as October 2024.

Despite the ongoing drama between the superstar camps, Odumodublvck chose to invite both artists to join him on his milestone fifth album, which dropped on a recent Sunday. During an interview on ATTW Space, later made available on YouTube, he explained that the decision was guided by principle rather than faction.

The Power of Collaboration Over Rivalry

Odumodublvck’s approach sends a powerful message: music, at its core, transcends personal disputes. By inviting Davido for the energetic track “Grooving” (alongside Seun Kuti) on track five, and tapping Wizkid for “Big Time” on track six, Odumodublvck demonstrates that artistry and respect outweigh rivalry. These collaborations anchor the 23-track album, which also boasts heavyweight features from Skepta, Stormzy, Giggs, and Chike, among others, highlighting the rapper’s wide-reaching connections.

Addressing the choice, Odumodublvck told listeners: “Those guys, Davido and Wizkid, are men. They’re real men. In the end, when we meet at heaven’s gate, everyone is equal. Choosing sides in these disputes doesn’t make sense to me. Should we really limit ourselves because of disagreements whose roots we may not even understand? What if they settle tomorrow?”

His perspective offers a call for unity in the entertainment industry, where public feuds can sometimes overshadow the music itself. According to Lagos-based music analyst Emeka Umeh, “Odumodublvck’s move is a much-needed reminder that our industry gains more when big talents come together, not when they’re divided.”

Context and Impact: Why This Matters to Nigeria and Africa

The clash between the fan bases of Wizkid and Davido is more than just online banter; it reflects larger dynamics in Nigeria’s rapidly growing music industry, where competition has been both a driver of creativity and a source of division. Still, global interest in Afrobeats has soared, with both artists symbolizing Nigerian musical prowess on the world stage.

Odumodublvck’s choice to bridge the gap is especially relevant for the youth, who are often caught up in “stan” culture. As he put it, “Just because I’m a man does not mean I have to pick sides. I may not know the basis of their disagreements and, one day, they could reconcile.” He further referenced a biblical principle, saying, “Blessed are the peacemakers, for they shall inherit the kingdom of God. I hope both Davido and Wizkid will find it in their hearts to become friends again. That’s what it’s about.”

Industry Machine: An Album Reflecting Support and Gratitude

Industry Machine stands as more than just a collection of tracks—it is a testimony to the bonds that shape Nigerian music. Odumodublvck emphasized that both Wizkid and Davido had significant roles in his journey to the limelight, recalling, “Wizkid is the first person who ever posted my music, and Davido was the second. These men helped my career long before I reached this level.”

In revealing the backstory, he said that their involvement was not transactional. According to the rapper, “They’re on my album through God’s grace and because they respect my hustle. I didn’t pay any of them.” Notably, he disclosed that the song featuring Wizkid was a gift: “That song wasn’t even mine initially. Wizkid gave it to me—I didn’t record it and send it to him; he handed it to me.”

Deepening the Narrative: Influences Beyond the Studio

For many artists, spirituality and values influence career decisions alongside commercial interests. Odumodublvck reflected on wisdom from his mother, explaining, “My mom would say on every friend’s birthday, ‘May you inherit the kingdom of God,’ because the world is already difficult. We shouldn’t suffer here and then suffer after, especially when we have the power to make amends.”

His intent in fostering peace and togetherness echoes broader themes in African societies, where community and reconciliation are highly valued. This sentiment resonates strongly not just in Nigeria, but across West African communities, where music often serves as a channel for unity.

Nigerian and Pan-African Reactions

Reaction among local fans has been divided. Some see the move as a breath of fresh air in an industry often driven by controversies, while others claim it’s too soon to expect reconciliation between the fan bases. “It’s good for the music business, but until their teams truly settle, most fans will keep drawing battle lines,” said Abuja-based producer Ayo Salami.

Industry observers have also noted the global impact of these collaborations. “Internationally, Nigerian artists are admired for blending talent with resilience, even when they disagree. Moves like this position Nigeria at the forefront of cultural diplomacy through music,” commented Nana Asare, a Ghanaian music journalist.

Similar moments have been seen elsewhere in the African music industry—such as landmark collaborations between Ghana’s Sarkodie and Nigeria’s M.I. Abaga, or between South African and West African stars—often creating opportunities not just for artistic growth but for expanding fan bases worldwide.

Looking Forward: The Role of Artists in Promoting Unity

In a landscape where artists often become symbols for broader cultural debates, the willingness to rise above rivalry is increasingly significant. The presence of both Davido and Wizkid on one project sends a powerful message about maturity, respect, and the shared responsibility artists bear in shaping national culture. “Music should be a bridge, not a wall,” argued Lagos event promoter Lola Ajayi. “Odumodublvck’s move could inspire more collaborations that heal rifts, both inside and outside the studio.”

This development also sparks questions about the future: If more Nigerian artists follow Odumodublvck’s example, could rivalries gradually give way to an era defined by powerhouse collaborations and innovative crossovers?

Conclusion: Will the Industry Follow Suit?

Ultimately, Odumodublvck’s decision is a bold reminder that the music industry thrives when talent comes before politics. His story is not just about his personal rise; it’s an invitation for fellow artists, fans, and insiders to reflect on what truly benefits Nigeria’s cultural scene. As music lovers across Lagos, Accra, and beyond stream Industry Machine, the bigger question remains: Will unity outshine rivalry as Afrobeats continues to take the world by storm?

What’s your perspective on Odumodublvck’s approach to collaboration in the face of rivalry? Do you believe this could help bridge divides in the music industry? Drop your thoughts in the comments and follow us for more updates on the latest from Nigeria’s music and entertainment world!

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